The term “mind blowing” is way over used in film reviewers
repartee as evidenced in many a quote that are splashed across the commercials
for films but the term is an understatement for Christopher Nolan’s Interstellar. It will be hard to talk
about the film and keep in the genre of ‘containing no spoilers’. I don’t
remember which film it was but I remember the great Roger Ebert once gave two
reviews for one film or at least a separate write-up in which he could discuss
all the intricacies of the film with those that had already seen it. In fact there are some elements of the film
like in Donny Darko, or Vanilla Sky just talking about what genre the movie could fall in, is a
spoiler in itself.
So without going into too many specifics let’s just say Interstellar touches on elements in
some of the best science fiction elements while still being totally original.
Unlike say, Tom Cruise’s Oblivion
which shamelessly stole from many science fiction films and offered absolutely
nothing new.
Nolan’s vision has touches of say 2001: A Space Odyssey, or his own Inception, but still manages to
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| Interstellar travel in the Endurance |
Like 2001…, the bulk of the movie has a main mission that takes the humanity on a journey to the stars for potential contact with beings from other galaxies or dimensions, but throws in drama that interferes with the goal. Only this movie ramps up that action many, many times. For instance there’s the waltz music accompany a docking scene from 2001… that is beautiful and esoteric like most of the film, whereas there’s a docking scene in Interstellar that is one of the most intense dramatic action filled sequences in film history.
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| A planet near a black hole |
Speaking of the excellent action scenes, there’s another
scene that reminded me of Inception. There’s an action sequence in Inception where the action and is
building larger and larger with the tension stacking on top of itself while
trying the grasp the drill-down plateaus of several realities of dreams with-in
dreams and relative timelines, and Interstellar
has a similar overlapping action sequence where the drama is building with
nail-biting intensity while at the same time your mind is grappling with the
idea of quantum physics. Now some people might be put off by having to think
that much about a movie. There’s the Michael Bay's of the world raking in the
mega-bucks appealing to the lowest common denominator of audiences, relying on
the least amount of thought possible, delivering yet another mindless
explosion. But Nolan’s genius is delivering just as much tension and action as
a Michael Bay film yet filled wall to wall with thought provoking ideas.
So if you’ve already seen the film I would love to love to
talk in depth about all the spoiler alert
stuff that this film does have going for it, but as an objective review just know
this movie starts out with the best of a slow burn plot, a mystery much like Close Encounters of The Third Kind that
then rolls into one Inception and 2001… classic science fiction while
yet delivering action that is a fun roller coaster ride.
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| Mackenzie Foy (Murph 10 years old) and Matthew McConaughey |
The cast is pitch perfect, even matching child actors with
their older selves which of course is a necessity when talking about Einstein’s
relative nature of black hole space travel and such. Matthew McConaughey is a good
center anchor delivering some great lines of subdued humor to help humanize this
technological film. And while 2001’s sterile bland human portrayal I
think purposely made HAL the most “human” of characters, Nolan balances the
true vastness of the universe with
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| Timothée Chalamet (Tom 15 Years old) and John Lithgow |
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| (Murph and Tom as adults) Jessica Chastain and Casey Affleck |
One final observation in conclusion is that even the music
was totally original. Many people point out how Stanley Kubrick’s use of classical
music was ground breaking compared to most science fiction movies
of the time trying to have futuristic sounds of strange worlds etc. But Nolan working with
Hans Zimmer keeps it simple too, there’s some standard orchestral and stark
piano filler here and there but most of the space travel and action scenes are
driving pipe organ pieces that are like Bach tripping on acid, and to me really
made it a unique experience that just rounded out what is near perfect movie. I
know I am biased as a science fiction fan. But I would say this would rank up
there in ANY genre.





